Electroacoustic Bass Clarinet solo and collaborative performances. The timbre of the Bass Clarinet is amplified and abstracted with the aid of electronics. Feedback is an essential part of the extended technique, as the body of the instrument becomes a resonant chamber and the pitch of the feedback is controlled with key work.
"Carillon" by Lea Bertucci. Performed at the Queens Museum of Art, 2011
"I See Red" Site-specific composition for tape, 2011.
"Spires" Recorded summer of 2012. Bass Clarinet shredding in a slot canyon with metal things resonating. Best with headphones.
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